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(More customer reviews)Utilizing the guard position in Brazilian JiuJitsu is a dynamic attack posture, whereby, the player is continually attempting to either offensively dominate the opponent who is within the guard, or where the guard-player is attempting to sweep his opponent who is in the guard for an even more dominate mounted position. Due to this dynamic environment of the guard, passing the guard is, likewise, a proactive proposition for the passer. Enter the necessity of: Passing the Guard!
This second updated edition of Passing the Guard has addressed this situationally active position with the same, superior photographically enriched directness that Ed Beneville revolutionized when the Grappling Arts Publications LLC, released the first edition of this book in 2002.
Utilizing multi-camera angles to capture both the technical nuance of the application and the full action sequence of the movement, the reader is provided a detailed analysis of the technique, akin to watching a frame-by-frame video revelation. Nothing is left to speculation with the way the photos unfold and unwrap the technique with the accompanying text. The pages are oversized, glossy and of the highest quality. The photographs themselves are clear and well-taken. With my aging eyes, this is a plus.
With over one-hundred additional pages, encompassing over seventy different methods of passing the guard, ranging from the most fundamental to the more elaborately mastered passing methods, the manual diligently demonstrates and explains just what the guard is and what one must master in order to actively defeat this highly offensive position.
Divided into eight color-coded chapters, the author stresses that this book is primarily for those who will engage in Brazilian JiuJitsu-type sports competition. The reader must then understand that in such competitions, the idea is for one adversary to defeat another adversary with a submission or choke. There are no strikes permitted, and actions are very strictly controlled. One who is the guard is constantly seeking to reposition in order to gain a submission while the one who is generating the guard is highly offensive, attempting to also engage a submission. There is very little NON-movement in such competitions, where movement, counter-movement, and recounter-movements are chronic in their applications on both sides.
The first chapter reveals the importance of fully understanding the basics--both the basics of the various guard positions (this book states seven possibilities of the guard position) and the fundamental requirements needed for establishing a solid, yet active, balanced base within a guard, explicating proper body alignment, hand and head placement, gripping and breaking the closed guard.
I am fanatical about mastering the basics, and this first chapter, alone, details specifics about both guard and passing the guard I have not found in other pictorially-rich manuals addressing the same topic. If we do not have a firm grasp of the fundamentals, then we cannot hope to master anything more advanced. This chapter thoroughly dissects the essentials for passing the guard into its most important common denominators, upon which the rest of the book's passing the guard problems are resolved.
The second chapter specifies how to pass the guard from attacking the knees while both players are grounded. This is an elaborately composed chapter with numerous ways and means of passing the guard are included.
Chapter three provides many safe and viable options for a player who is standing in one's guard posture, attempting to get around this guard to gain control over the player for submission.
Defense and counters to offensive guard actions are covered in chapter four. This chapter, as all the chapters of this book, stresses the importance of maintaining a solid base and adjusting one's balance in order to assist off-setting an attack before the attack is completed. Several of the common attacks addressed, with the appropriate counters, include: the Triangle, the Kimura, the Guillotine, Cross Choke, Armbars, Omo Plata, keylock, and various sweeping actions, to name just a few.
Chapter five covers the half-guard in detail along with the attacks one can implement while in the half-guard. I personally see the half guard as the half mount, so the importance of this chapter must not be taken for granted.
Attacks from inside the guard are explicated in chapter six, which are quite diverse in their applications, but always stressing the need for a strong position before that submission is attempted. We will find numerous attacks to the articulations of one's leg (knee, ankle, foot) here, as well as the Sode Jime.
I found chapter seven quite interesting in that in BJJ competition, as in Judo competition, a competitor will slip into a "turtle posture" so as not to be scored upon. This often occurs when a strong counter-fighter is getting the better of an opponent. Interestingly, this chapter demonstrates what a player can do to negate this protective posture--in effect--to crack the turtle's shell most abruptly and soundly. If one's opponent decides to slip into this default turtle posture, the information and illustrations found in this chapter will offer an aggressive player the how-to for dispatching the passive opponent.
Drills--simple, basic, and challenging drills are located in chapter eight, and all good skills become superior skills through proper and persistent drilling. The material here helps one integrate basic skills through drilling paradigms in order to improve proficiency of one's specific skill set.
At the end of all chapters are what I call an after action summary. What is covered in that chapter is amalgamated into a type of unique flow chart that makes sense of each independent action. This summary creates a unified chaining of the independent parts into a functional whole that extrapolates from the training experience into actual experience. This helps the player to shore up any technical loose ends and offers correct application for said player when he or she attempts movements within diverse situations.
Passing the Guard: Volume One: Revised and Expanded (2009) stands alone in its presentation of the technical expertise, both in its visual instruction format and the wisdom found in the written text pertaining to this subject matter. This text, as well as the other two manuals: The Guard: Volume Two (also Revised and Expanded) and Strategic Guard: Volume Three are required reading and recommended text books for those students who frequent the Hikaze Learning Corner's, Diversified Combat Arts and Sciences Curriculum.Rev. Arthur Bodhi Chenevey, RM, DD
Hikaze Learning Corner
Wooster, Ohio
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This second edition is a must have for owners of the first edition and fulfills the continuing demand for the out of print original. Devoted exclusively to the range of skills needed for passing the guard, the second edition includes over 60 guard passing techniques, plus submissions, submission counters, and drills. In the Grappling Arts Publications' style that revolutionized the way martial arts books are made, techniques are shown from multiple angles, key points are illustrated, and photo sequences are laid out in intuitive, easy to follow patterns. Text supplements the photos and provides insights on application, timing, and strategy.
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